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Opera Lyra Ottawa : ウィキペディア英語版
Opera Lyra Ottawa
Opera Lyra Ottawa (OLO) was a non-profit professional opera company based in Ottawa, Ontario. It was founded in 1984 by Canadian soprano Diana Gilchrist after the demise of the National Arts Centre's annual summer opera productions. The company performs fully staged and concert version operas in their original language with French and English surtitles at the National Arts Centre as well as running outreach and young artist programs. John Peter "Jeep" Jefferies is its General Director.
As of 14 October 2015, Opera Lyra has ceased operations.〔(Opera Lyra Ottawa. ) Retrieved 14 October 2015.〕〔Ottawa Citizen (14 October 2015). ("Cash crisis causes Opera Lyra to cease operations" ). Retrieved 14 October 2015.〕
==History==

The company was founded in 1984 in response to the National Arts Center's decision to end further opera productions due to budget constraints. Opera Lyra's founder and first Artistic Director was Diana Gilchrist, a young Canadian soprano at the very start of her career. Initially the company performed operas in chamber versions with piano accompaniment in the tiny York Street Theatre in Ottawa. Its first production was Mozart's ''The Impresario'' (in which Gilchrist sang Madame Silberklang as well as directing and producing the show).〔Vineberg, Robert (May 2006). ("How dare you! It's 20 years since Opera Lyra moved into the National Arts Centre. Here's how the company got there." ). ''Opera Canada''. Retrieved 4 December 2012.〕 This was followed by Telemann's ''Pimpinone'' and the premiere of John Burge's chamber opera ''The Master's House'' which had been commissioned by Opera Lyra.〔Siskind, Jacob (27 September 1984). ("Ottawa Opera Company Plans More Ambitious Second Season" ). ''Ottawa Citizen''. Retrieved 4 December 2012.〕
Their second season saw increased private funding and the company's first fully staged opera, ''Così fan tutte'', performed in the Alumni Theatre at Carleton University. In 1986, the company moved into the National Arts Center's 897 seat Theatre, with a production of ''The Barber of Seville''. Jeannette Aster became Artistic Director in 1987 when Gilchrist moved to Europe for further study. The 1990 production of ''Madama Butterfly'' marked the first time the company performed an opera in its original language with French and English surtitles. Prior to that, operas had been performed in English (and occasionally French) translation.〔 Until 1992, the company continued to put on one fully staged opera per season at the NAC Theatre, augmented with operas performed in concert version and operatically themed concerts and ''soirées'' in other venues. Starting with the 1992/1993 season, the company gave two fully staged operas per season, and in 1993 moved into the NAC's larger 2,100 seat Southam Hall with a production of ''La traviata''. The company has used that venue ever since for its fully staged productions.〔Opera Lyra Ottawa. (Production History ). Retrieved 4 December 2012.〕
During Aster's tenure as Artistic Director, the company initiated outreach and community education programs and formed the beginnings of a training program with the founding of Opera Lyra Ottawa Boys' Choir. However, the company began experiencing financial difficulties after a series of expensive and poorly attended productions between 1996 and 1997 (''Lucia di Lammermoor'', ''Faust'', ''Die Fledermaus'', ''La Cenerentola'', and ''Aida''). Aster's contract was terminated six months before it was due to expire, and the company initiated a search for a new leader who would combine the roles of General Director and Artistic Director. Canadian conductor Tyrone Paterson, who had spent 12 years at Calgary Opera was appointed to the post in 1998.〔Jennings, Sarah (June 2000). ("Capital proposition: fifteen years on, Ottawa's Opera Lyra looks set to grow again." ). ''Opera Canada''. Retrieved 4 December 2012.〕〔Norman, Barbara and Ware, Evan. ("Opera Lyra Ottawa" ). ''The Canadian Encyclopedia''. Retrieved 4 December 2012.


Under Paterson's leadership, the company slowly recovered from its financial difficulties and improved its relations with the National Arts Centre. In 2002, the company won a Lieutenant Governor's Award for the Arts which were awarded annually between 1996 and 2003 to "recognize Ontario-based arts organizations for demonstrating exceptional private sector and community support, while maintaining a high level of artistic excellence."〔Ontario Arts Council Foundation (11 December 2002). ("Ontario Arts Council Foundation Announces Winners of the 2002 Lieutenant Governor's Awards for the Arts (The Jackman-Bickell Awards)" ). Retrieved 4 December 2012 〕 Tyrone also founded the Young Artists Training Programme which eventually became known as the OLO Opera Studio. With an increasing number of outside conducting engagements, Paterson stepped down from the administrative post of General Director in 2003, but remained the company's Artistic Director and Principal Conductor. Elizabeth Howarth took over as General Director.〔Mazey, Steven (March 2010). ("Capital ambitions: as Opera Lyra Ottawa celebrates its quarter century, Artistic Director Tyrone Paterson reflects on the company's progress" ). ''Opera Canada''. Retrieved 4 December 2012.〕
The 2008 economic downturn led to renewed financial difficulties over the next three years which reached a crisis in November 2011 when the company was forced to retrench and cancel its productions of ''Tosca'' and ''The Flying Dutchman'' scheduled for the spring of 2012.〔CBC News (15 November 2011). ("Ottawa's Opera Lyra cancels rest of season" ). Retrieved 4 December 2012.〕 The problems were compounded when it was discovered that a bookkeeper had stolen thousands of dollars from the company as well as from the Canadian Council of Archives.〔CBC News (28 August 2012). ("Opera Lyra set to return with La Bohème" )〕 In July 2012, John Peter "Jeep" Jefferies, who had previously been the Executive Director of Tulsa Opera, was appointed as the company's new General Director. Opera Lyra reopened in September of that year with a fully staged production of ''La bohème'' and a concert version of ''La traviata'' scheduled for March 2013.〔〔Korducki, Kelli (28 Nov 2012). ("A breath of fresh arias: Canadian companies aim to bring opera to the masses" ). ''National Post''. Retrieved 4 December 2012.〕
Amongst the notable singers who have appeared with the company in the past are Richard Margison (''La bohème'' 1988), Louis Quilico (''Rigoletto'' 1994), Liping Zhang (''Madama Butterfly'' 2004), Russell Braun (''Eugene Onegin'' 2008),James Westman (''Le Nozze Di Figaro'' 2009 and 2015,''Madama Butterfly'' 2014) and Michael Schade (''Manon'' 2010).〔

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